Exhibition view of virtual gallery with title wall at left.

Open House: Object-making as a Therapeutic Practice

Curated by Kristen Coy, Kaylee Nok & Iris Mang Opening March 8th, 2023The Virtual Commons @ The Barney Building Artists Paloma Brites Rachel Graves Briana Pierre Victoria Sherwood Susan Behrends Valenzuela “Open House: Object-making as a Therapeutic Practice” highlights the ways in which art can function as a form of translation. Art has the ability to transform feelings into something tangible, something that others can interact with and connect to, even without the presence of words. The artists in this exhibition have an interest in the practice of repetition. Through the act of repeating an action, artists Susan Behrends Valenzuela,…

Large sculpture of a mask with extending tongue

Nature v.s. Nurture

March 1 – March 480WSE GalleryCurator: Katie SvenssonArtists: Elsa Stern & Echo Yan Nature or Nurture? The long debated question may be more aptly considered today in the struggle to overcome internalized thoughts and behaviors— residues of previous generations—that no longer serve to benefit our ever expanding world. Both artists explore this terrain of the normative, the internalized truths that guide us through our daily lives and influence the meanings we derive from our experiences, through the corporeal; their insides come out to challenge our conception of the ‘obscene’, ‘proper’ behaviors, and our anthropocentric tendencies, all of which are intimately…

Blue and white conical objects made from paper.

Dreamscape/Escape

February 22 – February 2580WSE GalleryCurator: Lillian BeesonArtists: Chaewon Lim & Regina Escobedo Guerra Metropolitan spaces like New York are centers of cultural, social, and economic prowess and growth. Such cities allow people to explore some of the greatest aspects of modern life. But among all the hustle and bustle, the millions of individual people, and the plethora of possibilities for what to do and who to be, city life can become oppressively overwhelming. There are a multitude of ways to handle the strain of urban living, and disparate coping methods are utilized in different ways, as evidenced by Regina…

Looking out of a window through venetian blinds.

Home/Bound

February 15 – February 1880WSE GalleryCurator: Meghan DoyleArtists: Talia Rudofsky & Elijah Chavez Notions of ‘home’ clutter the cultural discourse, ranging from The Odyssey’s inclusion on school syllabi, to corporations targeting the domestic consumer, to the classifications of artists into geographic categories. In a post-pandemic world, even the historically separate work sphere can now invade the home, amalgamating personal with professional. ‘Home’ is so frequently associated with safety, nurture, and rest that we colloquially refer to it as ‘the nest.’ But this enduring narrative of ‘home-as-comfort’ is incomplete. Where is the chapter in which home, for all its implied welcome,…

Collection of small mason jars filled with urine.

Deteriorating Time/Deteriorating Self

February 8 – February 1180WSE GalleryCurator: Nicasia SolanoArtists: Amanda Lindsay & Carlos Grajeda Deteriorating Time/Deteriorating Self explores the subjective nature of time, and ways in which the self deteriorates throughout the duration of life cycles. Conceptually inspired by global cultural engagements with death, this exhibition seeks to dispel notions of deterioration as synonymous with permanent loss and melancholia. While acknowledging the intangibility of time and ever-shifting essence of the self, the exhibition highlights work bringing form to these themes. Deteriorating Time/Deteriorating Self features the photographic, sculptural, and performance work of Amanda Lindsay and the paintings of Carlos Grajeda. Lindsay and Grajeda bring…

Painting emulating an old family photo

Never-ending: Art Making as Process

February 1 – February 480WSE GalleryCurator: Brea Patterson-WestArtists: Natalia Palacino & Ryann Coleman “Growth imagines its opposite is decay. As if to grow is to stay alive, and other delusions taught by capitalism. In reality, most of our lives are spent shrink- ing, eroding into bits and decaying. What if we celebrated that decay and championed the infinitesimal?” – Samantha Hunt, The Unwritten Book: An Investigation The processes of art making are in many ways similar to the processes necessary to sustain our human condition – to sustain the Earth on which we are necessarily grounded. Like the very beginnings…